1964
The Train
War, Thriller
8.0
User Score
311 Votes
Status
Released
Language
en
Budget
$5.800.000
Production
Les Productions Artistes Associés, Les Films Ariane, Dear Film, United Artists, Polyphony Digital, Vides Cinematografica
Overview
As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory.
Review
Wuchak
7.0
**_Burt Lancaster as a French Resistance fighter trying to stop a German train with stolen art_**
Paris is on the verge of liberation from Nazi occupation in 1944, so a German colonel (Paul Scofield) loads a train with a priceless cargo of French paintings to take to Germany, which Resistance fighters led by engineer Labiche (Burt Lancaster) are intent on stopping. Jeanne Moreau is on hand as a hotel owner.
“The Train” (1964) is a B&W war picture with the unconventional tone of contemporaneous WW2 films “The Young Lions” (1958), “36 Hours” (1964) and “Morituri” (1965). The story starts slow, but becomes increasingly compelling with lots of non-CGI carnage involving tracks and trains. The last act is creative and leaves you with the question: How many lives is art worth? Lovers of steam locomotives should eat this up.
The film runs 2 hours, 12 minutes and was shot in France.
GRADE: B
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JPV852
9.0
Great war suspense-thriller from John Frankenheimer. Heard of this one but never got around to checking it out, just excellent from beginning to end, not to mention wonderful use of sound design along with Maurice Jarre's score. Performances all around were great, especially Paul Scofield. Surprising to see it didn't receive more Oscar love outside of the writing. **4.5/5**
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