1982

E.T. the Extra-Terrestrial

Science Fiction, Adventure, Family, Fantasy
8.0
User Score
11132 Votes
Status
Released
Language
en
Budget
$10.500.000
Production
Universal Pictures, Amblin Entertainment
 

Overview

An alien is left behind on Earth and saved by the 10-year-old Elliot who decides to keep him hidden in his home. While a task force hunts for the extra-terrestrial, Elliot, his brother, and his little sister Gertie form an emotional bond with their new friend, and try to help him find his way home.

Review

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jBullfrog
8.0
Watched with my wife, the 7th grader, and the kindergartner. I only kind of half watched... It's been a long week. I really wanted to check out my youngest's reactions. Watching this with my 5 y.o. involved answering a lot of questions, but she LOVED it: wide eyed amazement, tears at the appropriate places, and shouts of "YEAH!!!" during the bike scenes. Some of the animatronics are definitely dated, but it's weird seeing these older movies with kids so used to everything being CGI... Even my 7th grader said that some scenes seemed really realistic, which surprised me.
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John Chard
9.0
Dream work indeed. An alien is stranded on Earth and a bunch of suburban kids attempt to help him get home. It's amazing to think that such a simple and standard story would go on to become a global phenomenon. E.T.: The Extra-Terrestrial, directed by Steven Spielberg, blasted its way into pop culture and simultaneously became one of the most cherished films of all time. It's not hard to see why, for E.T. appeals to every member of the family, from the joyous set ups as E.T. stumbles around middle America suburbia, to the doses of magic so gleefully constructed by Spielberg's inner child. Those wishing to scratch away at the surface (and there are many who have previously) will find Spielberg affecting his picture with divorce subtexts (his parents divorce was known to upset him deeply), whilst the government "villains" show an astute aside to paranoia of the times and suspicions of political operatives. Dee Wallace, Henry Thomas, Robert MacNaughton, Drew Barrymore and Peter Coyote star. The score, now famous and likely to bring about goose bumps with at the opening bars, is from John Williams, with cinematography coming from Allen Daviau. Shown in the main from a child's perspective, the film is still a wonder that charms and informs on repeat viewings. So much so that as it approaches its 40th birthday, its longevity and all encompassing appeal shows no sign of abating. Something that Spielberg and his crew can rightly feel very proud about. 9/10
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