2022

Crimes of the Future

Science Fiction, Horror, Drama
7.0
User Score
1073 Votes
Status
Released
Language
en
Budget
$27.000.000
Production
Serendipity Point Films, Téléfilm Canada, Ingenious Media, Argonauts Productions, Crave, CBC Films, E.R.T., RocketScience
 

Overview

With his partner, a celebrity performance artist publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use the artist's notoriety to shed light on the next phase of human evolution.

Review

the_blueeyes
the_blueeyes
0.0
Nonsensical incoherent movie that was hard to watch, and i turned it off after 30 min. It clearly written with a good amount of shock value, but the only shock i got was my finger to press "off" button. Cronenberg has made some good body horror in the past, but this was just rubbish.
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Geronimo1967
6.0
Whilst certainly nowhere near his best, this is still quite an intriguing drama from David Cronenberg. It all centres around "Saul Tenser" (Viggo Mortensen) who uses his own body to grow (or "cook") extra organs which he and his assistant "Caprice" (Léa Seydoux) extract as part of rather gruesome, but popular, theatrical performances. Meantime, "Dotrice" (Scott Speedman) is reeling from the suffocation of his young plastic-eating son (by his own wife) and so convinces the exhibitionists that an autopsy revealing the internal digestive organs of this most unusual of mutations would make for excellent viewing. Don McKellar ("Wippet") and his colleague "Timlin" (Kristen Stewart) run the government department for organ registration and needless to say they take a dim view on the legality of some or all of these activities... or do they? The concept is interesting and ethically highly dubious but sadly the execution is a bit lacklustre and there is way too much dialogue and, oddly enough here, too little use made of the special effects that are at times quite disturbing to watch and are, no pun intended, rather at the heart of the story. Stewart's very presence suggests her character has a more significant part in the proceedings but her appearances themselves are actually quite sparing which is always a bonus for me! It does take a while to get going, and somehow the ending is all rather underwhelming but it still has enough traces of the director's unique style and imagination to make it worth a watch - once
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